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LIKE THOUSANDS of visitors before me, I enjoyed Barcelona’s Belle Époque
architecture (Gaudi in particular) and Madrid’s Prado museum and vibrant
Rastro Sunday Market. However, there was something about Spain’s Basque
region that struck a chord within me that went deeper than the sensory
pleasures of a European escape.
In the process of changing careers in my mid-30s from corporate (public
relations) to creative (teaching and writing), I realized I wasn’t so much
reinventing myself as I was taking the best parts of my past and mixing it
with new ideas to charge off in a fresh direction for the new century. For
this reason, a journey to Bilbao and its neighbouring cities wasn’t so much
a mere pleasure trip as it was a source of inspiration and affirmation that
all it takes is some ingenuity and will to move toward a better, more
beautiful future.
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Occidental Carlton Hotel Bilbao *****
The Occidental Carlton is an elegant four star hotel located in the centre
of the financial and business area of Bilbao. Constructed in 1919 and
completely renovated in 1994, the building has recently been declared an
architecturally historical cultural monument. It is situated 9 km from
Bilbao airport and 12 km from Fuenterrabia Airport. |
Last Minute Hotels Bilbao  |
Though the
Basque region has been known for a variety of things, ranging
from its popular Rioja wines to internal conflict between Basque and Spanish
nationals, fateful watershed events like the pre-World War II German attack
on the town of Guernica, and other historic challenges imposed on its unique
identity, the cities and towns of this province in the north central corner
of Spain serve as textbook examples of civic pride genuinely working
wonders. The romantic, multi-level city of Vitoria-Gasteiz is not only filled
with idyllic ambiance but also one of the highest standards of living in
western Europe. In villages like Berneo, Mundeka (getting increasingly
popular as an international destination for surfers with its popular Bakio
Beach) and Getaria (future home of the Balenciaga Museum), treasured Spanish
and Basque customs seem to coexist seamlessly with young people building
their futures and introducing modern lifestyle elements to the mix—and in a
most impressive, environmentally conscious way.
David Elexgaray, my guide, points out that the Basque country is a
biosphere. After registering what must have been my quizzical expression, he
further explains that it is biosphere not in the closed-off, clinical sense
Americans are familiar with, but in a wide open sense with the convergence
of culture and nature.
‘The cities grew up on river estuaries, and the way they are developing
now in terms of how people are using and protecting the natural resources
and how those resources shape the people,’ he tells me. ‘Bilbao itself was
an industrial city affected by some ETA (radical Basque political movement)
violence, political turmoil, and the Asian tech boom, which ultimately
plunged the area into a crisis economically and identity-wise in the 1970s
and 1980s. City planners and residents alike, however, decided to take stock
in and learn from their setbacks, first by finding ways to politically and
culturally embrace the dual Spanish and Basque heritages, then by making a
commitment to take better care of the environment and then taking a stand in
favour of a technological shift and increase in the number of cultural
institutions. Emphasis on quality rather than quantity helped the region
overcome the push from the Far East. While the cost of living has risen with
the standard of living, some young people are moving to the other cities and
towns, and really taking good care of their homes and the areas which
surround it.’
While young families are raising their children in such peaceful, old
world settings of Mundeka and Gexto and older people are living out their
days with contentment, the new-and-improved Bilbao is a vibrant, modern
walking city in every sense. While the Guggenheim (opened in 1997) is the
epicentre of the city’s revitalization, there is an abundance of small
squares, parks and waterfront walkways which keep its soul rooted in the
more genteel aspects of its past. I took note of the city’s many bridges old
and new, which I found most symbolic—the new and the old at last coming
together harmoniously. I am quite taken with this renaissance city, which
according to David, began the heart of its magnificent transition only four
or five years ago.
On the first night, me and my travel companions were routed by our
locals-in-the-know to Casa Rufo (Hurtado de Amezaga, 5), a festive, casual
restaurant experience with old world flair, where tables are nonchalantly set
up among deli counters and dry goods. The food was generous and hearty, as
were the owners and the in-house cook, who spends his time smoking meats
when he is not preparing his simple, but awe inspiring steaks, fish,
croquetas and roasted vegetables, accented with lots of crusty bread and
good humour.
However, outside the classic 1900s ambiance of Casa Rufo and various
pinxtos (say, ‘pinchos’, the regional term for tapas) bars nestled in the
city’s gothic quarter’s plaza (Casa Victor Montes, Berton, La Almacena), was
a world that very much is in the moment of the 21st century. On quaint and
diagonal streets sporting accents of Madrid, Paris and London are hip
boutiques and chain stores, and lots of young, fashionable professionals and
college students with a palpable sense of enthusiasm and optimism. The
storefronts were artistically rendered with carefully executed modern
displays of furnishings and clothes that provide a nice sense of contrast to
old-style delicatessens, bakeries and food shops.
Though home décor stores are as abundant as fashion stores, old
traditions are also alive and dynamic in the city setting, from the friendly
mature Basque gentlemen wearing berets and offering directions and colourful
stories to small children playing in the idyllic settings of green,
manicured city parks and buildings dating from the middle ages to the
renaissance to the present. Other Basque destinations that simultaneously
exemplified the combined reverence and respect for the past and the present
included Guernica’s Peace Museum and the Museu Chilleda (in Hernani, not far
from Donostia–San Sebastian, uniting a dignified and simple university town
with one of Europe’s great playgrounds for the affluent) which in their own
ways encourage people to ponder history and ways they could build a better
future. While historical artifacts and recreations abounded at the Peace
Museum, Chilleda’s highly-tangible contemporary sculptures surround and fill
a 1592 farm house with the same sentiment David described with the region’s
concept of the biosphere.
On the riverfront, rising like flowers from a vase created by the
surrounding downtown area is the Frank Gehry-designed Guggenheim Bilbao, its
accenting outdoor sculptures along with an impressive array of new hotels
(like our temporary residence at the well-appointed Sheraton Bilbao),
cultural buildings and other civic projects that make it hard to believe
that just a decade ago, Bilbao was primarily industrial. Gexto, the quaint
British-looking town where Bilbao’s industrialist wealthy summered in the
Victorian area, was a living showcase for the Punete Colgante, a hanging
bridge marking the region’s move into a modern era more than a century ago.
Frank Gehry’s Guggenheim Museum, in turn, was the watershed project in this
age that started the process of making Bilbao and the Basque country what it
is today … one of the most desirable places to live in Europe and a “best
kept secret” that won’t remain so for much longer.
Although the Guggenheim Bilbao is home to lots of symbolic works from
Liechtenstein, Rosenquist and Jenny Hauser, it was an imposing spider
sculpture created by French artist Rose Bourgeois that summed up the spirit
of the modern Basque country through her metaphor—that we, as individuals
and collectively, have the ability to weave our own destiny.
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